Tuesday, 8 March 2011

Barcode Crucifix

I got a call from an excited Matt at Playschool Noize today to advise that 'Barcode Crucifix' by Damaged Gods out on 4/4/2011 is officially available for pre-order from amazon, play.com and hmv.

Slide back a month and I'm watching the Brits hosted by James Corden. Eliza Doolittle, during the first half of an ad break sponsored by Mastercard, proffers her stinky, powder blue trainers to the camera and mews in a voice she obviously imagines to be endearing (but which actually induces me to try and chew at my left elbow), that these are indeed her favourite trainers. If ever there was an indication of the crass commodification of music then here it is: wrapped in a self congratulatory clusterfuck celebrating vacuous product placement.

Music is both an art and a science. Between the algorithms and arithmetic, maths and magic exists the light and shadow of music. And Cheryl Cole.

The musical landscape has always been populated by non-entities with absolutely fuck all to say, playing fifth rate music filtered through fifth hand ideas and sponsored by tossers who know literally fuck all about fuck all. The difference is that now they're likely to receive a Brit nomination as they guarantee TV ratings.

It's been a long road to get to a point where this work could be released. Variously, it didn't sound "black" enough (I'll leave that to Plan B). There were too many long words (Antidisestablishmentarianism, anyone?). The guitars (Jim Davies of The Prodigy guests) were a tad too angry. The themes too dark. Even the artwork (by Lucius Michael Copsey) caused some consternation with the last record company who deemed it "disgusting" and "distateful". Awesome, eh?

But hey, if Chuck D digs it then I know I'm doing something right. I'm not going to rewrite the foreword (Pretentious, moi? Mais oui!) to the album here, but great art should be a document of the times in which it was created, so as I look out of my window I see dissent and dissatisfaction in equal measure and that's what 'Barcode Crucifix' enunciates eloquently. It concerns matters magikal, sexual, political and religious. Every word loaded with a symbolism which resonates long after the last note fades. And I personally guarantee that it'll make you shake that booty.

Can you imagine Public Enemy kicking fuck out of Nine Inch Nails whilst both parties are being torched by Rammstein as Dub C laughs at the horrific carnage? Lovely, isn't it? Man, I love Cradle Of Filth, but their hymns to violence are steeped in either fantasy or, in the case of the amazing 'Godspeed On The Devil's Thunder' album, history. Damaged Gods are of the NOW. When we suggest that "The lawless government invites anarchy," just look around. It is entirely true.

The album has been years in the making and is more relevant and necessary now than when it was conceived. So over the past couple of weeks our government has;

- sent David Cameron to sell guns to Egypt's supreme military council


- had David Cameron appear in Kuwait to defend arms sales vociferously, whilst Gaddafi continues to use British arms against his own people


- sent the SAS and MI6 to the wrong place, where they were captured by farmers

Remember, these chaps went to the very best public schools and did the Oxbridge thing, so are far better and way more intelligent than you or I. Thus, I'll pause before branding any of these actions as thoroughly cretinous. Don't get me wrong boys and girls, it's ALL about the music, but these are the reasons I do what I do. And these are the reasons for the snarl on my face.

Meanwhile, shitty bands play their odes to vacuity with a criminal inanity. Don’t accept it. You deserve better. We all deserve better. And that is what Damaged Gods represents. The middle of March finds us on tour as a trailer for the album and August sees us over in America further spreading the damage. As always Brozilla will be sharp of suit. Superior of mien. Sexy of limb. Witty. Charming. And the easy erudition of my oratory skills will be a joy for all to behold. The aim here is to put on a show rather than merely play gigs like so many other bands and I would urge you to attend, participate wholeheartedly and display your affection by offering a two fingered salute.

Vees up. Us against them.

Nothing but love

xBx



Thursday, 3 March 2011

Jackin' for beats with... DJ Gaddafi

As we approach the release of DJ Gaddafi's upcoming album "The G Files" we are pleased to give you an in depth interview with the Middle Eastern Despot/Rapper as he discusses his favorite producers, rappers, David Cameron & Dr Dre's "Detox" album. We're given an "Access All Areas" pass to his impressive Presidential Crib. Situated in the southern suburbs of Tripoli the central domed portico gives access to a lofty entrance-hall, lined by a row of double columns of grooved white marble with gilded bases. The white marble floored ballroom - the size of two football pitches - hung with tapestries woven in a different age depicting the Saracen violently resisting the infidel Christian Crusaders. The high, ornate ceilings are adorned by one elaborate chandelier after another.

We enter as DJ Gaddafi is in the middle of a telephone conversation with his American agent;

DJ Gaddaffi: I don’t wanna hear what the fuck these motherfuckers got to say. They say I can't run shit and this and that? Will. I. Am.? Yeah, the motherfucker’s tight as fuck, but if it ain’t broke, you can’t fix it, motherfuckers. I’m ‘bout to go hard. I’m not gonna make this guy a superstar again. The boy had his chance. GA! DA! FEE!. Let me reiterate this. Hold on... One love, Basil, I get down with y’all, that’s Libya baby, for real. Freshly! Chopped! Basil! Yeah... Y’all puttin’ it down for the brothers and sisters, for real. I’m just talkin’ about all the suckas that be hatin’. Be a fan and stop hatin’. Listen to the real shit, you got to do it. Sheeee-it. Let me pull this motherfucker back for y’all one more time. This just that soulful shit, this is what I do. Don’t get mad at me, I wanna say your name, but I ain’t gonna do that. One love y’all to people that got love for Libya.

Freshly Chopped Basil: What’s up y’all this is Brozilla with "Freshly Chopped Basil". I’m here with DJ Gaddafi, you all know him, and here he is. What’s up, man?

DJ Gaddafi: Just chillin’, doing my thing. You know how we do? Workin’ on "The G Files", tourin’, having a good time. Just want everybody to come see this tour and feel the music I’m bringin’.

Freshly Chopped Basil: So you've got the album coming out soon. It’s coming out at the end of April, right?

DJ Gaddafi: Yep. The album is coming out April 27th. It’s a great record it’s got a lot of features. I got a lot of talented cats gettin’ down; Snoop Dogg, Beyonce, G-Influence and Brother B, The RZA, P Diddy, Eminem, Nick Clegg, 50 Cent, Tech N9ne, Ed Balls, Chuck D, RBX and Caroline Spelman singing some chorus hooks... Dr Dre did his thing on a couple of tracks... Just a bunch of talented artists and I love what they do.

Freshly Chopped Basil: Usually with your albums you produce the entire thing. How come you put Dre in the mix?

DJ Gaddafi: I love Dre, who doesn't? I think he’s a great producer. In fact all the producers that’s puttin’ it down I respect them and I love their work. There’s a lot of good music out there, I respect everybody and I love what they do.

Freshly Chopped Basil: On the flip side of that, you as a producer, which artists would you like to produce for?

DJ Gaddafi: My tastes are way out and people might think I'm trippin’, but I wouldn’t mind doing something for T-Boy. And-

Freshly Chopped Basil: That's Tony Blair, right?

For real. T-Boy can spit. He brings heat and keeps it 100. He's my main Caucasian. He kinda reminds me of myself when I was doing my thing, and I’m still doing my thing, don’t get it twisted. We go waaaay back. He brings the fire. I like Raekwon, he’s cool. I like Jay-Z, he’s super cool. I like Nu Labour, even though they don’t have records out now. Snoop, that’s a must, I’ll work with him anytime. Damaged Gods are crazy talented. They're getting a lot of play out here with "Outf!%king rageous." You heard that yet? Whooooh! HOT. There are tons of guys out there that I like who are putting out good music, but there’s a lot of other people trying to rap and trying to produce just because it’s so easy to get into right now, but in a minute that’s gon’ change once that real music comes back and people understand what’s really going on. I know I went somewhere else on that answer, but hey.

Freshly Chopped Basil: You’re putting out this record on your own Coup D'etat label. This is your second independent release. What's that like when you compare it to your major label experience?

DJ Gaddafi: I mean independent is a little harder than being on a major label. You gotta be hands on: make sure everyone's doing what they s'posed to do. I wasn’t hip to that, I thought I was still gonna have people to do things for me. But you get a chance to really see what’s going on and really know who got your back and who don’t got your back in the business. I’mma put it to you like this: when I was with a major, it was on and crackin’. Everything crackin’. I made a lot of people, a lot of 'behind the scenes' people, rich. But now that I’m independent and I have to get at the same people that made it pop for me back in the day, then it’s a problem. I mean that as far as, “Hey, DC, can you gimme a hand here? I-

Freshly Chopped Basil: "DC?"

DJ Gaddafi: David Cameron. "I made you a load of money and I'm still making you money.” And I gets no love. It can still go down like that. It’s just a different way as far as showing that support. I mean I support everybody in the Middle East, I support everybody in the West, the East, Down South. But it’s just gotta be a mutual thing, especially here where I’m from. Everybody out here, all the DJs, all the clubs, everybody gotta ride and look out for each other. I’ve been to clubs where I’ve seen cats that’s from here at the door, and they like, “Nuh uh” and they let artists from somewhere else right in. We gotta have more unity and that’s what we missin’ from the game. The talent is there, the music is there, the unity is the key.

Freshly Chopped Basil: Tell us about the viral video you had for "Capitalism Crash". How did you guys decide to do that and are you guys gonna shoot any other more traditional music videos?

DJ Gaddafi: For "Capitalism Crash" I just got my secret police to film David Cameron swanning around the Middle east trying to sell arms to literally anyone. In this climate of violence? If that doesn't show you that Capitalism is utterly bereft of morality... Anyway, the response was off the chizzain! I think we're up to something like 5 million views on YouFace. Yeah, we’re gonna shoot more videos. We shooting for "It's All About The Oil Receipts" which is me and T-Boy. Doing that, puttin’ it down and letting people get a glimpse of that. Middle East meets West. I got family in all places so I can’t have tunnel vision. That’s how you survive in the game, you can’t have tunnel vision.

Freshly Chopped Basil: I heard that "Education Revolution" was originally gonna be a Michael Gove collaboration song, tell us about that.

DJ Gaddafi: I did the song with him, that’s what that was. But records change. A lot of records I could tell you about right now that had other people on them from a lot of artists that you know have changed. Just like on that Elton John single “Don't Let The Sun Go Down On Me”? I was on that song originally and I got dropped for George Michael. So records change, that record changed. I put G-Influence and Brother B on it, it was a good feel for them so that’s what it was.

Freshly Chopped Basil: On another note, have you worked with Dre on "Detox"?

DJ Gaddafi: In the beginning, sort of the beginning, I was over there with Dre and the rest of the fellas going through the records and marking off ideas for him to hear. That’s all I did really. Then a year or so ago I spat a verse or two, but I don't know if they made it onto the record.

Freshly Chopped Basil: So you made some TV appearances since your last album. How did that come about and how did they approach you and what was your first thought?

DJ Gaddafi: Well I did the "Celebrity Fit Club". I didn’t want to do it at first because I thought it was some corny shit. So I was like, “Damn, I’m not old, I ain’t played out. I’m still a youngster.” I told ‘em no, but then the producer Rich called me and said, “Lemme take you out to lunch”. So I had lunch with him and he explained to me what the show was about and what was going on as far as showing me how to eat better and showing me how to exercise their way. I said, “So y’all gonna pay me to exercise and eat right?” So I was like, “Shit, let’s go.” And I did that and I’mma do more of those type of shows. On the big screen, as far as movies, sitcoms, all of that, I’mma do it all. It’s just showing versatility and by the way I’ve been easing over into scoring. I scored the popular Libyan drama "Tripoli Heights". I don’t even know if a lot of people know that but I scored that show, it was a great show. So I’m doing a lot of things. I’m easing my way into being behind the scenes ‘cause that’s what I really love. I’m still a motherfuckin’ rap artist period. I do that. But you grow and you have to change and I’m just changing and I’m looking for the next motherfucker who can shock the world. A lot of motherfuckers can rap and they do that all day but I’m looking for a person that has a story about themselves, something that can captivate the world, not just your hood. And that’s what I like about T-Boy. He got a story and he tellin’ these motherfuckers, “This is what it’s like with me and where I’m from. This is what it’s like and this is how we gon’ give it to you." He got a story about it and you rarely find artists that really give you that story and that realness. But I’m pretty sure it’s coming, and I’mma be looking, ‘cause I am a producer, Gaddafi Funk Entertainment, baby.

Freshly Chopped Basil: We’re about to wrap up but before that tell us what kind of vibe people are gonna expect on the album.

DJ Gaddafi: You can expect a lot of records that’s got a soulful feel, a lot of records that’s like more on the groove tip. I ain’t really goin’ hard on the record, like Will. I. Am. Did you catch Black Eyed Peas at the Superbowl? Oh, man! That was some repugnant shit. A lot of people don't know that Fergie played William Shatner's girlfriend in an episode of TJ Hooker back in 1986. She's looking rough these days, right? That's the crack. A lot of these celebs are on crack these days. They tell me crack is in. Anyway, what I'mma be doing is talking to everybody from a fake tanned, ugly WAG motherfucker on "Daybreak" to Paxo on "Newsnight".

Freshly Chopped Basil: Can you explain the bloodthirsty repression of your people for four decades at the behest of your Western puppet masters?

DJ Gaddafi: Huh?

Freshly Chopped Basil: Never mind. Before we leave, do you have any closing comments about anything?

DJ Gaddafi: All I have to say is whatever you want to do in life keep your mind to it. If it don’t jump off at first don’t get frustrated, even though we do get frustrated. Just keep pushin’ and don’t let nothin’ hold you down. And keep faith in God and know that it’s gonna be alright. And for the motherfuckers that be hatin’ on Brozilla Triple X L, kiss my motherfuckin’ ass, ‘cause you can’t hold a brother down.

Freshly Chopped Basil: Wise words. Thanks for your time today. Peace.

DJ Gaddafi: Huh?