Showing posts with label X Factor. Show all posts
Showing posts with label X Factor. Show all posts

Sunday, 21 October 2012

Bringing you up to speed

Sudden realisation can have a profound physical effect. You read about it in books and see it on TV and it seems so hammy and cliché, but it's true. Try this for size.

I used to play as a striker for the British Council football team. I modelled myself after Cyrille Regis: muscular, powerful and quick. Very quick. My scoring record was pretty good: better than a goal every two games. My favourite goal saw me run from midway inside my own half, head the ball past the last defender, dummy the keeper and roll the ball into the bottom left hand corner of the goal. I was so elated I ran off to celebrate with the two casual bystanders who were watching by the corner flag. It later turned out that they'd pissed all over my kit bag and my copy of Vibe magazine which featured a Public Enemy cover story. Bastards.

A couple of weeks later I scored a 25 yard screamer which curved outrageously as it arrowed into the top corner of the net. Buoyed by having notched what was obviously the goal of the season I found an extra enthusiasm. An exuberance which gave me an extra yard of pace as I chased our opponent's playmaker back towards the centre circle. I executed a perfect sliding tackle, gathered possession of the ball and passed it back to our holding midfielder before sprinting my way back upfront for the next phase of play.

As I ran I became aware that my left hand felt weird. I figured it must have been caught underneath me as I slid in to win the ball. I looked down and saw my thumb bent back on itself at a grotesque angle, as if it had decided independently to pack up and emigrate to my elbow. I knew immediately that it was dislocated and ran to the referee to ask him if he would pop it back into place. His response, after a wince which pulled his face into a horrified 'O' was, "You've been watching too many movies, mate. I can't do fuck all about that. You'll need to go to hospital."

The understanding that my injury was serious and wasn't a Mel Gibson in Lethal Weapon momentary inconvenience acted as the trigger for the physical response referred to above. Not, as you'd imagine, one of excruciating pain, but a wave of nausea the like of which I've never experienced, even after a dodgy kebab which is the exclusive fare of my local high street eaterie. My legs were suddenly unable to bear my weight, I swooned and collapsed like a 19th Century woman suffering an attack of the vapours. I was helped back to the dressing room by a couple of colleagues where I waited for an ambulance to arrive.

I had a similar revelatory experience this week. About 3 months ago I had an appalling day at work. I finally gave up smacking my head against the brick wall at about 7pm and, in a supremely bad mood, drove home. A month later that I received a letter advising that I'd been caught by a speed camera doing 36mph in a 30mph zone. I was so angry at myself, but hey, that'll teach me. I'll be paying much more attention when I get behind the steering wheel from now on. Luckily I was given the option of attending a speed awareness course rather than have to pay a fine and accept a 3 points penalty on my licence. So that's what I was doing on Tuesday morning.

There were 24 of us in a room being looked after by 2 facilitators, one of whom had the demeanour of a sorrowful, empathic, avuncular prison officer, the other the gloomy aspect of an undertaker from Rotherham: each one of his anecdotes ending with, "Ploughed straight into 'em. Never stood a chance."

I saw this course as an opportunity to reappraise my attitude to driving and get back into the good habits that I'd long slipped out of. The other people there...? Hmmmm... Not so much.

The first question was offered by the sad Uncle: what is the speed limit in built-up areas? Easy. That's 30mph. Although in some circumstances the police will apply a formula (the speed limit + 10% + 9) that gives drivers some leeway up to 42mph. Interesting, no?

Second question. What is the speed limit on motorways? That's right, 70mph. Use the formula and you get 86mph. A middle-aged woman with badly died hair (she had plainly forgotten to do her roots) and who steadfastly refused to take her brown anorak off said, "Well the limit's going to be 80 soon anyway. So..."

"Yes, but the limit is still seventy miles per hour," said the doleful trainer. The funeral director was out of the room.

"They'll put it up to eighty. They have to," said a bloke in a chunky grey pullover which looked as if it was rather itchy. The whole room shifted its attention to him. "The government want us to drive faster so we use more fuel and give them more money in taxes."

His pronouncement was met with silence. Apart from me. I coughed up a giggle. His stern face told me he wasn't joking. I stopped laughing. This fella's enunciation of his conspiracy theory was the cue for everyone else to give voice to their sense of injustice.

A woman at the back with her glasses perched on the end of her nose said, "The thing you don't appreciate is that society moves much faster now. We all work, we're all pressed for time and for the most part we're all being penalised for just keeping up with the flow of traffic."

"They friggin' trapped me - excuse my language. They were hiding behind the bushes with a speed gun," said a woman in a nurse's uniform.

"I'd like to see the breakdown of deaths on the road. I bet most of 'em are just ordinary people in a hurry to get to work," said a man in a tracksuit at my table.

A woman with a number two haircut and very pink, shiny skin - which reminded me of spam - got very animated and punctuated her shrill speech with a jabbing index finger. "Right. Let's get right to the crutch(!) of the matter," she hissed, flecks of spittle spraying from her downturned mouth. "You lot want us to speed so we can keep you in a job. We have to speed," which sounded a lot like the same conspiracy theme enunciated by the grey pullover: as if David Cameron had clamped their foot to the accelerator pedal.

Many whiney voices were raised at this point, crashing around the room in a bitter cacophony, but I tuned out as I began to swoon with the realisation that I may well be a misanthrope. Suddenly X Factor and 50 Shades Of Grey made perfect sense. I spend most of my life fully engaged in responsibility avoidance (I construct my own little world within which I can draw upon resources to help me remain creative - that's my excuse anyway), but even I accept that the reason I received a speeding ticket is because I was driving like a wanker and I could have hurt, or even killed, someone.

I'm aware it's a bit of a touchy feely notion, but we are all of us connected. Whatever I do, or don't do, has an impact on the wider society. A more apposite example of this is our lust for the new iPhone 5. The working conditions in the Foxconn plant where they are manufactured are so awful there was a spate of suicides. In reaction to this the employee dormitories are now equipped with safety nets to catch those who might want to jump. Earlier this year around 150 workers threatened to commit suicide by leaping from the factory roof in protest at their working conditions. This is emblematic of life in the Western world: poor foreign workers, stripped of their rights and dignity, and forced to make gadgets for the wealthy (ie. us). We point to our gadgets as a sign of the advancement of the human race and this is true, but at what cost.

These workers do not receive what any person would consider a living wage. A Foxconn production line worker would have to work 60,000 years to earn what Tim Cook, CEO of Apple, takes home in 365 days.

And the wider implications if we cede our responsibilities to each other are manifest. We end up in a special relationship with a rapacious America who's foreign policy in the Middle East is clearly delineated by the scary and comical John Bolton, but no-one gives a flying finger of fudge:
"...Persian Gulf, the critical oil and natural gas producing region that we fought so many wars to try to protect our economy from the adverse impact of losing that supply or having it available only at very high prices."
So, what have I learned this week?

1) I'll be sticking with my iPhone 4 for a while. Well, at least until my present contract runs out.

and

2) Only a fool breaks the 2 second rule. Unless the police take time out from tasering blind people of pensionable age and force you to drive faster.

Monday, 10 January 2011

Matt Cardle's Official Private Diary: January

It's been a crazy month and a bit since an audience of 19 million people watched me win 'X Factor'. If you were one of those who either watched me or voted for me, I wanna say "Thank you. Thank you for making ALL my dreams come true." I've gone from fronting a band going nowhere and painting and decorating to hanging out with celebrities, going to parties, appearing at HMVs nationwide, snogging fit birds with bangin' ba-donka-donks and covering songs by my idol Chen Pacino. Nice, yeah? I want to personally thank Basil who's given me this dead high profile outlet for my thoughts so I can let you know exactly what's been going on. He's a top bloke.

January 15th 2011

I was out with the totally hawt Stacey McClean last night and we saw Cheryl Cole who came over to the VIP section and threatened to kick Stacey's head in cos she thought she'd spilled her pint. Gotta love Cheryl. She keeps it realer than real. Hardcore.

January 19th 2011

So, like, I've got my tongue deep inside this girl's arse, yeah? My stubble all over her creamy cheeks and she turns around and she's all indignant:

"Excuse me! Do I know you?"

And I'm like, "Duuuuh!" and show her my special Simon Cowell approved 'Platinum Pussy Pass', which is really just a badge that says "Matt Cardle: 'X Factor' Winner 2010" and she goes MEN-TAL. "Ohmygod!Ohmygod!Ohmygod!" Paddling like a toddler with new Marks and Sparks wellies in a puddle of her own sex wee-wee. And I can't blame her, cos I'm kind of a big deal now and if I could get my tongue up my own arse I'd never get out of bed. Ya get me? Sweet.

So it's all awesome, yeah? But now, right, cos she's made such a scene, EVERYONE in the Post Office wants an autograph. Yawny, yawn, yawn! So I make my excuses and I'm out of there like Prince William's hairline. Ass ta la vista, baby!!!

January 22nd 2011

Dannii Minogue gives me a bell this morning. We've both got the same special ringtone for each other on our iPhones; 'Boom Boom Pow' by The Black Eyed Peas. It's sooooo hardcore, but it makes us laugh. Good times. Anyway, literally as soon as I won 'X Factor' she whispered that she had an idea for a duet. When I'd completed the rough demo (a cover of Chen Pacino's 'H-H-Humpin' Ya') and we were listening to the playback, she looked at me with tears in her eyes. I knew exactly how she felt. It was deep. Titanic deep.

She says she wants to hook up later 'cos there's some coving in her lounge that needs sorting. So it's off to the Wickes in Hanworth. I know what you're thinking: why not B&Q? Well, with Wickes there's a far wider range of products at everyday prices, so, y'know, that's why I go there... PLUS I have some of my best song ideas wandering around the aisles looking for their greased felching grips. With this particular job I reckon the Wickes duopolymer coving will be perfect cos it's really light to handle and the Wickes cove adhesive is easy to use and fills in the gaps proper well.

Got to Dannii's place around 2ish and after a cup of tea she asks me if I want to get started. "Sure," I said, "the lounge is through here, isn't it?"

"Cripes, you're dim, mate. I meant me mut, Matt!" In her Aussie accent she flattened the vowels so that the last bit sounded like "...me mat, Mett!" I looked at her funny cos I didn't really understand. Ms Minogue heaving her Asda floral gusset to one side, fixing me with an intense stare and intoning "You. Owe. Me." soon made the message clear.

Yeah. She's right. I do owe her.

I suppose if I had to liken Dannii Minogue to a bar snack it would be a twiglet. Or pork scratchings. A salty, piquant taste that takes a little getting used to. I don't really like either of them, but, y'know if I'm pressed and there's a lack of any other savoury snacks...

January 25th 2011

Spend the morning jamming with the band I was in before I went on 'X Factor'. I've told them I haven't really left and that once the hysteria dies down and Simon's 'Platinum Pussy Pass' has expired we'll get back together. I'm not sure though. I see myself more as a Darius Danesh or John Lennon solo artist, y'know, a social commentator. We'll see.

My Manager rings to tell me that HMV in Sudbury is closing down, so my appearance there this afternoon is cancelled. That's weird. "I thought HMV weren't going to be closing their shops for a while?" I said.

"They must have heard about your recent appearance at the Bayswater HMV* where you played that stuff from your second album," he laughed. He's always kidding me like that.

"So, Jeff, what time am I getting there?"

"No, seriously. It's cancelled. They said they might as well close down today if you turn up."

"Right, so what am I doing this afternoon instead?"

"Have you got any of those greased felching grips left? Louis Walsh says he wants you to pop 'round. He's got a little project for you in his spare room. Hold on. No, wait." I hear Jeff rustling some papers.

"Sorry. Not spare room. Dungeon. He says you owe him."

Fair enough.

January 27th 2011

'Loose Women' this lunchtime. The hospitality room here is amazing. They've mimicked nature’s colour scheme by painting the room in colours found outside the window. Not sure if they went with Wickes' own or luxurious Dulux, but they've painted both the walls and ceiling in an unobtrusive caribbean pale blue, which is tastefully offset with a palm green throw rug on the hardwood floor. I'm on after Kerry Katona who looks like she's back on the medication she was taking when she made that famous appearance on 'This Morning'. She asks if I want to try some of her special 'diet powder'. I tell her I'm cool.

When the four 'Loose Women' interview me I feel like a wounded Antelope on the plains of the Serengeti being stalked by hungry lions. That Carol Mcgiffin is the worst. She hands me her damp knickers off-camera whilst they're playing my video for "When We Collide" (which Simon told me I'd made my own and stayed at number one for three weeks!) and whispers that she wants a "Cock and Va-Jay-Jay collision." I'm sure she's drunk. I tell her to call my manager Jeff. She needs to back up and get in line.

January 28th 2011

Mid-afternoon and I'm collecting one of those cut crystal glass bowls from 'Woman's Own' for being voted as having The Sexiest Buns Of The Year. The award is handed over by Max Beesley, who's won it the past five years running (!). As we pose for press fotos he grips my hand really tight, making me wince, and with his grin fixed hisses in my ear, "Better watch your back, Cardle. You don't fuck with me in my house." I wouldn't dare. I love Max. He's done loads of great work. He's mates with Robbie Williams and he did that brilliant film with Mariah Carey. Everyone I know calls him "The Guv'nor". I tell him to give my manager Jeff a bell cos it'd be sah-weet if he could play piano in my touring band. He seems really made up and gets a bit weepy as he hugs me and repeats "Thank you, thank you, thank you," over and over again. Apparently those 'Jobsite' ads don't pay too well and 'Hotel Babylon' has been cancelled.

January 29th 2011

A strategy meeting with the Syco team at Cowell Towers. They suggest a co-headlining tour with Susan Boyle to maintain my profile which'll end with an appearance at the death metal festival Bloodstock. I'm being honest here, I'm not sure about it. When I go out live I plan to do a load of stuff from my second album 'Dark Delicacies', which'll come out after this 'X Factor'-related one. It'll be a concept album charting one man's descent into the darker recesses of his own private hell. Most of it'll be just me and an acoustic guitar addressing stuff that really matters to me in songs like 'Hey, Mr Broadband' and I'll be hooking up with The Black Eyed Peas to record the Will. I. Am. penned 'Platinum Pussy Pass'. I agree with Alan McGee, he really is the reincarnation of Sly Stone. I'm not sure if the sheer scale and ambition of my work will go down well with Subo's audience who don't tend to be as thoughtful, quiet and respectful as mine.

I'm just about to venture a tentative "Erm, I don't think so, Simon," when Leon Jackson bursts into the room waving a pistol and screaming "Where's my fucking career, bitch?"

I hit the floor and scramble under the table in a blind panic. Simon's dead calm. "I don't know what you did with it, but I'm afraid you won't find it here, Leon," he says, and then Subo leaps on him and wrestles him to the ground. Apparently, Joe McElderry was waiting at the front of the building in the getaway car. Really scary.

Simon has Leon undressed by security and his ankles and wrists bound to a chair. Simon's eyes look like pools of blue-black oil. Cold. Full of rage. His face is hard.

"Who sent you?" he asks as he slaps Leon with the back of his right hand. Again. And again. A small purple egg starts blooming under Leon's right cheek. Leon spits a mucusy a thread of blood at Simon's feet and laughs a mirthless, hollow laugh. "Fuck you, Cowell," he says.

They drag him away unconscious. "What's going to happen to him?" I ask. "Don't worry about Leon. Worry about yourself, Matt." He sits down, straightening his shirt. "Now, about this tour..." he says, wiping the back of his hand with a white silk hanky which comes away all red and blotchy with Leon's blood.

"I'm in," I say eagerly. "Whatever. Whenever. Wherever. I'll do it!"

* You can read this diary entry in my bezzie mate Basil's previous blog. Take it easy, yeah?

Thursday, 21 October 2010

Brother B in the Twilight Zone

JERRY: You know, this is like that 'Twilight Zone' where the guy wakes up and he's the same, but everyone else is different!

KRAMER: Which one?

JERRY: They were all like that!

It's the morning after the cuts before and I'm a baffled bystander, or bysitter, as a table full of people discuss the various intrigues of the 'X Factor.' I don't watch it. I have no opinion. Elsewhere in Europe there have been days of action, strikes and demonstrations. Here the front pages are filled with Wayne Rooney's contract negotiations. I awoke on Thursday morning expecting a universal expression of umbrage and ire and was instead presented with 'X Factor' speculation. I'm just waiting patiently to ask:

"So, what do you think of the Spending Review?"

When, eventually, the question is posed (there's loooooaaadsss to talk about with 'X Factor') it is met with a look redolent of Gamu being threatened with deportation. Until I reference the Institute For Fiscal Studies summary that the Spending Review is essentially, and at its very core, regressive - penalising and punishing the poorest. This provokes a vigorous colloquy amongst the assembled parties as they agree fundamentally with this notion and are of the opinion that the scrounging poor should be hit even harder.

3:00am the following morning and I still can't sleep, so I hit youtube, put my head on my unquestionably adequate hotel pillow, close my eyes and listen to Gideon Osbourne's Spending Review speech in the House Of Commons. Later I wondered, on my facebook status, how we let this happen. A friend responded:
Labour did it. Like they buggered up the country in 1978. They can't govern, then its up to the Tories to sort it all out, furthering their unpopularity in the process. Can't we just print more money Mugabe-style?
Genius! Although I don't quite agree.

The ConDem Coalition has successfully created a great myth that this present mess is Labour’s fault. It goes something like this: New Labour ran up huge public debts by wasteful spending on unnecessary public bureaucracies. The task now is to rebalance the economy by shifting resources out of the public sector and into the private.

However, a dispassionate independent observer would see this is as a ridiculous half-truth at best, if not a downright lie. Public spending, as a proportion of national wealth, was not excessive under New Labour. It was running at the forty year average in 2008 as Our Tone and the Capital G stuck religiously to the Tory spending blueprint. Nor was the cumulative debt – at about 40% of GDP – high. Many other "developed" industrial nations countries had far, far higher percentage levels of debt. Indeed, the Tories until recently insisted that they would not shift from the financial path set out by New Labour.

What caused the crisis in Britain to explode so abominably? The answer is the greatly skewed nature of the British economy and its largely amoral, derugulated-by-Thatcher Financial Sector. As the international financial system headed for meltdown, the tsunami of disaster swept through the British economy, leaving the rubble and the stagnant pools we presently survey.

The Coalition further embellish their myth that it’s all New Labour’s fault, by asserting the need to "roll back the public sector," and to make bigger and deeper cuts: the worshipping of The Big Market as we dismantle The Big State. The belief that the Coalition government is merely trying to sort out the country’s public finances has been unmasked for the sham it is. This is 19th century government, wanting a small state with little or no compassion for the ‘deserving poor’ and as little socialised provision as possible. It is setting out to achieve what Margaret Thatcher attempted: reversing much of the great liberal-social democratic reforms of the 20th century. There is no such thing as 'Society', it's every man for himself.

Spending on public services is set to reduce by 25% in real terms by 2014-15. That is the equivalent of around a fifth of all public sector staff or well over a million jobs. But the real impact is not going to be on public jobs, as vital as they are, it's going to be on the services that people get. The poorer you are, the more dependent you are on public services and provision.

I'm guessing you don't do this too often, but if you listened to Radio 4 this week you would have heard a rising chorus from those whose benefits will be cut. For example, the tearful mother of a disabled man who lives in a home rang in. At present he has an adjusted car so that she can drive him about. Under these new measures he will lose this vehicle. The more money you have, the more options you have to provide for yourself if you need to and public services fail to deliver. The effect on many vulnerable people will be devastating. But hey, they deserve it.

Another plank of the New Fiscal Orthodoxy is as follows:

“Public borrowing is only taxation deferred, and it would be irresponsible to accumulate substantial debts that would have to be paid off by subsequent generations in decades to come.”

In 2006 Great Britain finally finished paying off the debts accumulated through ‘Lend-Lease’ that allowed us to buy weapons and armaments from the USA during World War II. Only a buffoon or a cretin would say "I think we should have surrendered to Hitler because we shouldn’t be accumulating substantial debts to pass on to subsequent generations."

An extreme example, but one which works on the mind more forcibly than a precept and merely ponders whether the long-term benefits are worth the long-term borrowing. Our children and grandchildren who have carried on paying off the debt also benefitted from the original spending, unless you would have preferred living under the Third Reich.

This principle can easily be extended to some other obvious areas of public spending – schools, hospitals, roads, bridges and other infrastructure built today might be expected to last for decades and our children and grandchildren will benefit from them, so what’s so bad about asking them to contribute something to the costs of these benefits?

Mrs Thatcher may well be ill and languishing in hospital, but her wickedly divisive world view is in rude health. The current British fiscal problem was created not by profligate spending by the Big State but by an economic crisis caused by the Big Market. The more deleterious effects of this Big Market were then ameliorated by the very State which we're told now needs rolling back.

Do-do-do-do Do-do-do-do

Sorry, that was me singing the 'Twilight Zone' theme to wrap this piece with a pretty pink bow.